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Clay paddling back out as we talk about the shot we just got. He asks me, "how close to fill the frame or how close do you want me or what kinda shot are you looking for?" We have been shooting 7 days straight here and I've never seen work ethic like this kid's, and I have to say it makes the transition from land to water that much easier. Most pro surfers should know about good lighting and bad lighting. Clay does and that makes for a great shoot. Photo: Ben Currie
I’ve shot surf for some time now, but it’s only been three weeks since I actually got in the water with a camera. There are so many lessons to pick up and only a little time to do it before a potential shot makes itself available and you either take it or leave it.
My friend and professional surfer Clay Pollioni, who I shoot exclusively, says I’m getting better every day and that he’s blown away by what I’m getting. It definitely helps to have a strong run of swell – every day this month, which is incredibly rare for a summer in New Jersey.
It’s been quite a learning curve and this collection showcases some of the moments I’ve nailed as well as some that I could’ve nailed better.
Check out more of Ben’s work on his website and on Instagram: @bencurr