In lots of ways, the pictures I took over this decade-and-a-half are simply a documentation of my own life – with all the characters, the various missteps and interesting detours. Most of the people in them were my friends, and most remain so. Forty-and-more years later, that seems pretty significant to me.
The Wilderness barbecue 1969
The Wilderness surfboard factory was in the sugar cane fields (and swamp) inland from Angourie. This was dinner one night.
Photo: John Witzig
Christmas Day, Hay 1970
My friend Nigel Coates and I were on our way across the country, heading to Margaret River in Western Australia. I liked the adventures just as much as the surfing.
Photo: John Witzig
Mark Campbell at Spooky 1973
I’d been shooting with the little Nikonos waterproof camera for a while, and if you got really close, you could get some good pictures with it.
Photo: John Witzig
Paul and Ramy, Cactus c. 1974
My brother, his wife Marianne, and their young son spent a few years living in the spectacular desert landscape of Point Sinclair on the Great Australian Bight. I wouldn’t have wanted to live there, but it was a great place to visit.
Photo: John Witzig
A wave at Matakana Island, New Zealand 1975
I was staying with my friend Rodney Dahlberg and we went out to Matakana in a boat. It really wasn’t that good, but on this not-especially-wonderful day, there was this one, beautiful, just-about-perfect wave.
Photo: John Witzig
Buzzy Kerbox at Haleiwa 1976
In many ways, this picture marks the end of my time as a ‘surf photographer’ (had I ever seen myself as one). I would’ve been holding the Nikonos out in my right hand as far away as possible to avoid being run over. I love the weird composition. No editor has ever seen what I do in this picture – not that I’m still bearing a grudge about that 38 years later.
Photo: John Witzig
Nat at Collaroy c. 1961. I’d borrowed a camera and telephoto lens from my friend Ron Perrott who was one of the pre-eminent Australian surf photographers of the day. We happened to be at Collaroy in Sydney, and a gangly kid nicknamed Gnat happened to be in the water. Not a bad subject for your first surfing pictures. Photo: John Witzig
Toes on the nose c. 1962
A bunch of us were at Duranbah, just across the northern NSW border in Queensland. This was a picture taken for fun amongst friends – Nat’s big feet on Midget’s big nose. The ‘friends’ bit didn’t last.
Photo: John Witzig
Midget Farrelly at Palm Beach c. 1964
Midget was the first great hero of Australian surfing. If his influences were Californian (the Phil Edwards multi-stringered boards and the Peter Van Dyke drop-knee cutback), he put the whole package together with a great individual style.
Photo: John Witzig
Bob McTavish, Noosa nose ride c. 1966
Just before the start of what would become the shortboard revolution, McTavish with his take on the nose ride – so cool, so stylish, so 1960s.
Photo: John Witzig
Headless McTavish 1966
The first picture of mine that got itself a name. Shot at Point Cartwright on Queensland’s Sunshine Coast, it came to symbolise what McTavish and Nat called the ‘involvement’ school.
Photo: John Witzig
Nat, bottom turn, Honolua 1967
I got lucky and was the only stills photographer at Honolua Bay in December 1967 when the Australians (and an expatriate American mat-rider named George Greenough) announced to the world that things were happening Down Under.
Photo: John Witzig
Wayne Lynch at Bells 1970
Wayne was very unhappy about the World Championships being held in Victoria in 1970, and the exposure it gave to a coastline he loved and was protective of. He seems cheerful in this picture – probably because he was abusing the photographer.
Photo: John Witzig
Country soul 1969
My pictures are mostly of the friends I surfed and hung around with. Even if you worked for surfing magazines (as I did from the mid-1960s), paid trips were absolutely the exception. Your own world became your subject.
Photo: John Witzig
Arcadia 1969
I was trying to take pictures that said something about the times. This is Wayne Lynch and Bob McTavish at the beautifully-named Possum Creek in the hills behind Byron Bay.
Photo: John Witzig
These are fifteen pictures over fifteen years – pretty much my entire “career” from start to finish.
I was losing interest towards the end, and not even a wonderful water housing to take my Nikon F2 motor drive and a 105 mm lens could rekindle it. I’d also begun to feel the imperative to actually earn some money.
In lots of ways, the pictures I took over this decade-and-a-half are simply a documentation of my own life – with all the characters, the various missteps and interesting detours. Most of the people in them were my friends, and most remain so. Forty-and-more years later, that seems pretty significant to me.